Folk Cosmology, Cultural Continuity and Modern Cinema: Kantara & Kantara Chapter 1 Reclaiming Indigenous Wisdom on Screen: An IKS-Based Analysis and its Socio-Cultural Impact

Authors

DOI:

https://doi.org/10.31305/rrjiks.2026.v3.n1.008

Keywords:

Kantara, Indian Knowledge Systems (IKS), indigenous epistemology, cinema and culture, folklore in film, ecological ethics, cultural preservation, narrative aesthetics, social pedagogy

Abstract

Cinema is not merely a medium of entertainment; it is a living archive of cultural values, philosophical thought, and societal ethics. The 2022 film Kantara and now Kantara chapter 1in 2025, directed by Rishab Shetty, exemplifies this potential by seamlessly integrating Indigenous Knowledge Systems (IKS) into a narrative that balances folklore, ecology, and spirituality with contemporary cinematic sensibilities. This conceptual study examines the journey of Kantara from inception to blockbuster success, focusing on how IKS informs its narrative structure, aesthetic design, and ethical engagement. The study employs a multi-layered qualitative approach, synthesizing classical Indian texts (Nāṭyaśāstra, Dhvanyāloka), scholarly literature, media reviews, expert interviews, and audience discourse to construct a holistic understanding of the film’s societal impact. Research questions explore how IKS shapes cinematic storytelling, how culturally rooted narratives resonate with audiences, and the role of cinema in reinforcing ethical, ecological, and spiritual values. Corresponding objectives include analyzing IKS-informed narrative strategies, evaluating audience reception of indigenous themes, and examining cinema’s capacity to foster cultural continuity and social cohesion. Findings reveal that Kantara not only preserves and transmits regional folklore and ritual practices but also cultivates ecological awareness and moral reflection. Its reception demonstrates that narratives grounded in IKS evoke strong emotional engagement and facilitate the revival of cultural values, belief systems, and respect for nature. The study confirms that cinema, when informed by indigenous epistemologies, serves as both a pedagogical tool and a vehicle for societal transformation. By bridging traditional wisdom with modern cinematic expression, this research contributes to understanding the role of film in cultural preservation, ethical education, and ecological consciousness. The study further acknowledges the vision of Rishab Shetty and his creative team for demonstrating that culturally authentic storytelling can achieve widespread acclaim while sustaining the ethical and spiritual foundations of Indian society.

Author Biography

  • Dr. Deepa Joshi, Professor, DoM (PG), Shri Vaishnav Institute of Management & Science, Indore (M.P.)

    Dr. Deepa Joshi, Professor, Department of Management (PG), at Shri Vaishnav Institute of Management & Science (Autonomous), Indore (MP), has more than 25 years of experience as an academician. She is coordinator & member of editorial board for blind peer reviewed national ISSN journal ‘Management Effigy’. Organized ten national case writing workshops, several case analysis workshops, seminars, guest lectures and expert lectures. She is invited as resource person at other institutions and session chair at international conferences. Actively contributes in R&D and has more than 50 research paper publications in national and international journals of repute. She is PhD Research Guide in DAVV, Indore. Nine candidates have been awarded doctorate under her. She has also written course material for the subjects Ethics and Finance for a State University. Dr. Deepa has authored seven books and chief editor one ISBN edited book. She has three Patent Grant and three Patent published.

References

Cinema, Indian Knowledge Systems (IKS) & Kantara& Kantara Chapter -1

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Basu, A. (2023). Indigenous epistemology, media, and the representation of women in Kantara .

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Dey, A. (2022, November 22). Kantara: A triumph for Indigenous Knowledge System. Countercurrents.

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Panicker, J. J. (2025). Voice from void: Subaltern identity, psycho-cultural sensibility and caste parlance in film Kantara. ShodhKosh: Journal of Visual and Performing Arts, 5(7).

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Aggregated multimedia commentary: YouTube long form essays and podcasts on Kantara (2022–2025). “Kantara Explained — Ritual, Myth & Land”, YouTube, (2023). precise video/podcast.

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Published

2026-06-25

How to Cite

Joshi, D. (2026). Folk Cosmology, Cultural Continuity and Modern Cinema: Kantara & Kantara Chapter 1 Reclaiming Indigenous Wisdom on Screen: An IKS-Based Analysis and its Socio-Cultural Impact . Research Review Journal of Indian Knowledge Systems, 3(1), 74-88. https://doi.org/10.31305/rrjiks.2026.v3.n1.008